Skip to main content

"Animal Farm" (1956) by George Orwell REVIEW


Well whattaya know? I actually got around to reading a classic.

At the Manor Farm, life for the animals is horrible. They are overworked, underfed, and all around mistreated by their human owners. There was talk of a rebellion for years, and, one day, the animals of the farm finally act upon the idea of freedom, scaring away the human owners once and for all, keeping and running the farm for themselves. Lead by the pigs, the smarter species on the farm, the animals create commandments and slogans ("Four legs good, two legs bad!"), everyone willing to follow these ideas to the very end. However, the animal-ruled freedom may not be what they dreamed. In fact, it may just be worse than before their revolution.

Even though George Orwell's Animal Farm was written fifty years ago, it's writing still remains strong and fresh, it's message and characters still ringing clear and relates to our present-day matters. A short read, Orwell manages to craft a full plot in just a little over 100 pages and manages to keep a steady pace along with it. Having read this now in 2015, I can see that many other stories take inspiration from this book, so it wasn't an entirely unpredictable read for me, but I still give Orwell credit for creating such a story in his time.

Short, thought-provoking, and intense at times, Animal Farm was a pleasant read and I highly recommend it to those looking for a great classic!

4/5 Stars

You can buy your copy from Amazon right here!

Comments

Popular posts from this blog

"Need for Speed" (2014) REVIEW

I know I'm not the only one who thought this movie was going to be a flop. I mean, not only is it a high-speed street racing movie, but it's also a videogame movie. Still, I gave it a shot, but mostly for the D-Box experience. Even with the earnings from winning illegal street races, Tobey Marshall (Aaron Paul) is still unable to keep his auto repair shop from his father open. For a chance to get $500,000, Tobey takes an offer from his street racing rival and successful car dealer Dino Brewster (Domonic Cooper) to finish building the Ford Mustang that Caroll Shelby was working on when he died. After building the car and selling it without Dino's consent, Dino challenges Tobey and Tobey's friend, Pete, to a street race for the money. Nearing the end of the race, desperate for revenge, Dino pushes Pete over a bridge and drives away, leaving Tobey to be blamed for vehicular manslaughter. Two years later, fresh out of prison, Tobey seeks out to knock Dino off his p...

Books on Film by Black Authors

There's no real order to this list, nor can I guarantee which ones are worth reading or not. However, the quality of the books are not the point, but rather we should lend these voices our eyes, ears, and time, giving them a stronger voice than they would have had without at least mentioning them. Titles link to the Goodreads page for the specific book and additional links will be listed to buy the book from Barnes & Noble and/or Thriftbooks (non-affiliated). Don't forget to see if your local bookstore might have these in stock! Missing your favorite? Tweet me @AuthorKLau and I'll update the article! Independent Visions: A Critical Introduction to Recent Independent American Film by Donald Lyon Far from the big money movie machine of Hollywood lies the cutting-edge, artistically fresh world of American independent film. These independent filmmakers, working outside the formulas and constraints of the big studios, produce today’s most exciting and innovative movies. In ...

Blue Beetle Rebirth Vol. 1: The More Things Change (Rebirth #1, #1-#6)

2/5 Jaime Reyes as the Blue Beetle has interested me and been on my reading list for a while. When I first discovered the character watching Batman: The Brave and the Bold , seeing Jaime as a relatable teen arguing with the sentient suit that gives him his powers, his New 52 line had already been cancelled. Then Geoff Johns wrote Rebirth and added a little scene with Jaime Reyes that I thought was both very interesting and promising. In short, Keith Giffen doesn't deliver in this volume until issue #6, where he kind of gives a small splice of what the series could be. Getting the obvious out of the way, the dialogue here is absolutely horrible. I tell myself it feels like a first draft, but then there are moments of repetition and sentences upon sentences of nothing going on. By then, it feels more like a very bloated outline with the characters speaking mostly hot air. The dialogue here isn't flat, it's completely empty. This, in turn, makes all the charac...