Skip to main content

"The House of Hades" (2013) by Rick Riordan REVIEW


Note: If you have not read the previous books in this series, get off your butt and read them now before you end up finding spoilers below.

Wait, am I really only one book away from finishing this amazing series? NOOOOOOOOOOO!

Shortly after the events of Mark of Athena, the Argo II crew are in a race against time to stop Gaea, the Earth goddess, from awakening. Now they know the date she plans to rise: August 1, just barely a month away. However, before the demigods can figure out where the giants plan to resurrect Gaea, they must first find the mortal end of the Doors of Death and close it to keep the monsters at bay. Meanwhile, in the depths of Tartarus, Percy and Annabeth struggle to survive. Weak, injured, and starving, their chances of closing the Underworld's end of the Doors of Death are thin. Can the seven demigods of the prophecy still succeed?

Told from the perspectives of all seven demigods, Rick Riordan's House of Hades did something I didn't know was possible: it surpassed it's predecessor and left it in the dust. Riordan masterfully paces the story, going back and forth between the normal world and the Underworld. The humor remains strong, the action is edge-of-your-seat, and the writing in both the dialogue and narrative flow naturally.

I don't want this series to end. It's just too good. Alas, like all good things, this series will be coming to an end. Here's hoping it's a great one!

5/5 Stars

Comments

Popular posts from this blog

"Need for Speed" (2014) REVIEW

I know I'm not the only one who thought this movie was going to be a flop. I mean, not only is it a high-speed street racing movie, but it's also a videogame movie. Still, I gave it a shot, but mostly for the D-Box experience. Even with the earnings from winning illegal street races, Tobey Marshall (Aaron Paul) is still unable to keep his auto repair shop from his father open. For a chance to get $500,000, Tobey takes an offer from his street racing rival and successful car dealer Dino Brewster (Domonic Cooper) to finish building the Ford Mustang that Caroll Shelby was working on when he died. After building the car and selling it without Dino's consent, Dino challenges Tobey and Tobey's friend, Pete, to a street race for the money. Nearing the end of the race, desperate for revenge, Dino pushes Pete over a bridge and drives away, leaving Tobey to be blamed for vehicular manslaughter. Two years later, fresh out of prison, Tobey seeks out to knock Dino off his p...

Books on Film by Black Authors

There's no real order to this list, nor can I guarantee which ones are worth reading or not. However, the quality of the books are not the point, but rather we should lend these voices our eyes, ears, and time, giving them a stronger voice than they would have had without at least mentioning them. Titles link to the Goodreads page for the specific book and additional links will be listed to buy the book from Barnes & Noble and/or Thriftbooks (non-affiliated). Don't forget to see if your local bookstore might have these in stock! Missing your favorite? Tweet me @AuthorKLau and I'll update the article! Independent Visions: A Critical Introduction to Recent Independent American Film by Donald Lyon Far from the big money movie machine of Hollywood lies the cutting-edge, artistically fresh world of American independent film. These independent filmmakers, working outside the formulas and constraints of the big studios, produce today’s most exciting and innovative movies. In ...

Blue Beetle Rebirth Vol. 1: The More Things Change (Rebirth #1, #1-#6)

2/5 Jaime Reyes as the Blue Beetle has interested me and been on my reading list for a while. When I first discovered the character watching Batman: The Brave and the Bold , seeing Jaime as a relatable teen arguing with the sentient suit that gives him his powers, his New 52 line had already been cancelled. Then Geoff Johns wrote Rebirth and added a little scene with Jaime Reyes that I thought was both very interesting and promising. In short, Keith Giffen doesn't deliver in this volume until issue #6, where he kind of gives a small splice of what the series could be. Getting the obvious out of the way, the dialogue here is absolutely horrible. I tell myself it feels like a first draft, but then there are moments of repetition and sentences upon sentences of nothing going on. By then, it feels more like a very bloated outline with the characters speaking mostly hot air. The dialogue here isn't flat, it's completely empty. This, in turn, makes all the charac...